FOR THE LOVE OF LOGOS
Early in my career (just before desktop publishing really hit) I freelanced as a
graphic designer and loved working with ruby lith and her sister amber (it's funny if you're an
old-school production artist, trust me), Letraset letters, PMTs, T-squares, triangles, waxers,
burnishers, tissue overlays and a bunch of other nearly forgotten tools of the "board" trade to
create logos for small clients. Here are some of my favorites. My friend Phil Reynolds (a REAL
designer) says my work "didn't suck." I'll take that. Phil is one of the three best designers/art
directors I've ever worked with. The other two are Susan Ash and Brian Grubb.
Early in my career (just before desktop publishing really hit) I freelanced as a
graphic designer and loved working with ruby lith and her sister amber (it's funny if you're an
old-school production artist, trust me), Letraset letters, PMTs, T-squares, triangles, waxers,
burnishers, tissue overlays and a bunch of other nearly forgotten tools of the "board" trade to
create logos for small clients. Here are some of my favorites. My friend Phil Reynolds (a REAL
designer) says my work "didn't suck." I'll take that. Phil is one of the three best designers/art
directors I've ever worked with. The other two are Susan Ash and Brian Grubb.
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| All content © Copyright 2006, 2007 by John Armato unless otherwise indicated. Content may be freely excerpted with attribution for nonprofit use. All other uses by permission only. Just ask me. I'll probably say yes. |
